Three weeks of travel in the USA in June 1997: New York, Vermont, New York, Los Angeles, San Francisco, New York, edited entirely in camera and projected with music from the 60s.

Early morning in the Bavarian woods. Christoph, suffering from a severe hang-over, sits next to his mother on a high seat. While she is aiming at a deer, Christoph tries to make up his mind. He’s had the plan to come out to her, but this really doesn’t seem like the best time. He checks his breath, screws up his courage and tries to tell her – simultaneously she fires a shot. Everything goes wrong and if that wasn’t enough, his boyfriend is about to arrive.

Inherently political, the three films that constitute Muster (Rushes) (2012) visually link to one another, with each roughly half-hour narrative (79 minutes combined for the single-channel version) taking place at a former Benedictine monastery outside of Kassel, Germany. This monastery functioned as a concentration camp during the Nazi era, a reformatory for girls in the 1970s, and later a psychiatric clinic.

Gregor Nicholas explores the outer edges of obsession in this deliciously fruity comedy. The syncopated medley of music, strange noises and varied eccentrics doing their special thing shares similarities with a fondly-recalled scene in cult film Delicatessen; though Delicatessen was yet to emerge when this short film first debuted. Rushes played in multiple festivals, including the prestigious Clermont-Ferrand. The soundtrack is by ex Techtones guitarist Steve Roach. Director Nicholas followed this with another oddball romp: his feature debut User Friendly.

“The lush and mysterious realm evoked by SHELLS AND RUSHES recalls the uncanny eclecticism of the surrealists. Strange, flesh-like sea shells, restlessly turning and quivering; enigmatic allusions to classical mythology, such as the Birth of Venus and Leda and the Swan; and paradoxical uses of positive and negative space variously bring to mind Man Ray, Dali and Cornell. But Couzin’s film creates its own rich, secretive world and provides its own astonishing pleasures. Accompanied by an otherworldly soundtrack of ancient throat-singing, this deftly edited film is by turns seductive, humorous and serene.” – Rafael Wang

Efforts to move Britain into the modern age don't sit well with the people of the small village of Anderia Marsh, who have claimed a right (going back to Henry III) to evade government-imposed import duties and taxes. And when the government decides to curb this right, the whole village quietly rises up in a comical rebellion. After their vessel runs aground during a storm and is impounded by the British authorities, local smugglers must find a way of disposing of their contraband brandy cargo before it's discovered by the Customs Officers.

About young graduates of the maritime academy and their first voyage at sea. About the difficult test of professional and human endurance that had to be endured by both the crew of the trawler "Kaira," which suffered a disaster during a storm, and the crew of the rescue ship Poseidon under the command of Captain Chigrinov, where the film's hero, Slavka Chigrinov, served, demonstrating resourcefulness, courage, and bravery in times of danger.

When the police finds a necklace with some criminal, a detective remembers that it was missing evidence in a murderer case many years ago. So it turns out that Jeff Hayes, sentenced to life-long prison, was innocent. After 18 years in jail he's finally released - but has problems finding back into normal life. There's his father who believed him guilty and his ex-wife Ellen, who told their son Kerry and her new husband Paul Kramer his father had died.

Owen and Kayley, a romantically-doomed couple, fear their relationship is stagnating and begin to blame one another. Meanwhile four omniscient "Writers" present evidence that all romances are eventually doomed. Each episode centers around a flashback to a specific moment in Owen and Kayley's relationship: the first date, the first "I love you," meeting the friends, and a disastrous party are among the many topics covered. As the evidence for their incompatibility is unearthed the Writers, a breakup seems inevitable. However, Owen and Kayley surprise the Writers by breaking the script and dealing with the relationship on their own terms.

Trelles and Amílcar share a room in a boarding house, the rent of which has not been paid for a long time. Trelles is a waiter in a typical Buenos Aires bar while Amilcar is an amateur bolero singer, who divides his time between sleeping and singing for free in a cabaret.